“…”From the rest of the cast, special amendments should be made vocaly to the soprano Vassia Zacharopoulou for her interpretation of Hilda, and dramatically to bass Petros Magoulas”…” by Eftichios Choriatakis

“…”From the rest of the cast, special amendments should be made vocaly to the soprano Vassia Zacharopoulou for her interpretation of Hilda, and dramatically to bass Petros Magoulas”…” by Eftichios Choriatakis
…And now, when are we going to see such a play Again? by George Leotsakos “…” The whole casting has been a great choice of artists with high quality vocal and acting standards.”…” Vassia Zacharopoulou (soprano, Hilda Guntel) has been irresistible as the pastry’s chef daughter.
Une célèbre caricature de Sigmund Freud montre le père de la psychanalyse auquel se superpose le corps d’une femme nue. Intitulée What’s on a Man’s Mind, elle prétend nous montrer « ce qu’un homme a dans la tête ». Avec la nouvelle Leporella (1925), Stefan Zweig imaginait ce qui pouvait se passer[…]
“…”The vocal ensemble offers good performances with Tassos Apostolou as Baron, Myrsini Margariti as Baroness, Vassia Zacharopoulou as Hilda, Niki Haziraki as Hannah, Evita Hioti as the Opera Singer and Petros Magoulas as Anton, experienced house forces stranded on stage.”…”
“…”Vassia Zacharopoulou as Eliza knows how to breathe the necessary life into music.”…”
“Vassia Zacharopoulou, apart from her wonderful voice, is totally convincing as a stressed beginner student.”
Review of Offenbach’s operetta “Orpheus in the Underworld”, presented this season at Olympia Municipal Theatre Maria Callas. By Dimitri Kiousopoulos […] Vassia Zacharopoulou was excellent at the part of Cupid the love goddess [..]
[…] next to Maria Nafpliotou appears Vassia Zacharopoulou as Callas’ first soprano student, who had an excellent voice and appearance […] By Katia Sotiriou
[…] Callas invites on stage the first student, Sophia De Palma (Vassia Zacharopoulou performed excellent this part) to sing “Ah! Non creed mirarti” from Bellini’s La Sonnambula.[…]
[…] There exist many magic moments in the play: the excellent performances of famous arias by the sopranos Vassia Zacharopoulou and Lito Messini and the tenor Nicolas Maraziotis […]